Archive for May, 2013


I know this may get me really disliked, but I just can’t get into the Star Trek “reboots.” I know they’re an “alternate universe” and all that, but I know ST so well that I am continually being yanked out of the story by continuity changes. Plot elements like Chris Pike dying, and McCoy casually having tribbles hanging around his lab were incredibly distracting to me. The acting is good on the part of the actors…I’m not blaming them. My favorite characterization is Karl Urban as Dr. McCoy. He rings “truer” to me than any of the other rebooted characters.

WARNING: Spoiler Alert!

I had problems with the Enterprise being hidden from the inhabitants of Niburu underwater. Why do that? If they’d stayed in orbit, there would have been no violation of the Prime Directive. Basically, they did it because it’s never been done before, and they thought it would look kewl. Insufficient reason, in my book.

Benedict Cumberbatch is an excellent actor. I love him in Sherlock Holmes. But he’s WHITE. Khan Noonian Singh was supposed to be Eastern Indian, a genetically engineered superman from the Eugenics Wars, not a pale, ascetic-looking Caucasian. I found that incredibly distracting. And the moment I heard how many torpedoes there were, I know doggone well what was inside them. I confess to missing a resolution that would have placed those hibernation tubes aboard a ship called “Botany Bay.” Oh, well.

A lot of the script had things happening willy-nilly, just as they did in the first reboot film. Why would “John Harrison” long-range beam to Kronos? (Where Praxis had obviously blown up about five decades early.) Carol Marcus really had no reason to be the person who came aboard the Enterprise with the torpedoes. She was a scientist, not a weapons expert. There wasn’t a hint of attraction between her and Kirk, except perhaps for that (gratuitous, IMHO) scene where she peels down to her sexy black undies.

I could go on, but what all this boils down to is the same problem I had during the first reboot film, to wit: I just didn’t CARE. The plot had so many glitches and inconsistencies that even the efforts of the actors couldn’t save it. The scene where they reprised a version of Spock’s death in “Wrath of Khan” made me roll my eyes instead of tearing up. Ho hum.

For a good analysis of the plot holes and script inconsistencies, I recommend Keith de Candido’s review that he wrote on the Tor page. Keith knows Star Trek as well as I do, possibly even better (he’s written for the franchise more recently than I have). His comments were spot on.

On the other hand, if you, like the majority of Star Trek fans, love the reboots and are willing to overlook all of the plot glitches because of excellent special effects and lots of action, just be happy that the reboots are successful, and will obviously continue.

Personally, I don’t care either way. Just call me a continuity curmudgeon from the Jurassic, because that’s what I am. 😉

http://www.tor.com/blogs/2013/05/star-trek-into-darkness-review-spoilers?utm_source=newsletter

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Me, A Grandmaster? Wow!

I’ve delayed posting about being declared a Grandmaster by the International Association of Media Tie-In Writers because I was struggling with radiation and the effects of anemia. Also, I was totally flummoxed to learn about it. My first reaction when I got the email announcement was that this was some kind of cruel hoax being played on me by one of Writer Beware’s enemies…!!!! Michael had to look up the email addresses before I’d believe it was true.

When you compare my output to that of, say, Kevin Anderson, I haven’t written all that much, and only about half my output has been tie-in books. It’s true that I’ve written in a LOT of other universes, and that many of my tie-in books sold pretty well. But I really didn’t feel worthy of the honor.

To be honest, for years I struggled with the prevailing attitude among some s.f. and fantasy writers that writing media tie-ins was the ultimate in degrading hackwork, lower on the authorial totem pole even than writing pornography to eke out a living.

Personally, I believe a good story is a good story, no matter what universe it’s written in. I really love being able to put characters from famous universes through their paces, and get inside their heads. I put as much effort into my tie-in books as I do for my original books (though I confess the original books are tougher to write, since you have to make it ALL up), and I was proud of the stories I produced. But I didn’t like getting openly snubbed or patronized sometimes when I was at conventions or writer gatherings.

One time I was talking to my dear friend, Andre Norton, about how I felt about this, and she set me straight. “Ann, you are a STORYTELLER,” she said. “One of the oldest and proudest professions known to the human race. No matter what kind of story you’re telling, be proud of that ability!”

Fortunately, that snotty attitude among the “purist” s.f. and fantasy writers seems much less prevalent today. Earning a living writing is so darned tough these days that whatever type of writing you’re doing, if you can make money doing it, hey, more power to you.

So I’m very proud to be receiving this award, and proud to be a storyteller. I wish I could go to San Diego Comic Con to receive the award in person, but I gather all the tickets are sold out. 😦

IAMTW is talking about trying to rig up a skype connection so I can be there virtually. We’ll see if that works out.

There’s a complete list of my books on my website, http://www.accrispin.com, in case you haven’t checked out my work.

Here’s the official announcement:

http://iamtw.blogspot.com/2013/04/crispin-is-grandmaster.html